In March we hosted the second Institute for Open Leadership, and in our summary of the event we mentioned that the Institute fellows would be taking turns to write about their open policy projects. I had the privilege of participating in the second Institute for Open Leadership (IOL), held in Cape Town and hosted by … Read More “Creative Commons and Museu da Imigração: notes on a Brazilian experience”
Tive a grata oportunidade de participar do segundo Institute for Open Leadership (IOL), realizado na Cidade do Cabo e promovido pelo Creative Commons e pela Open Policy Network. Além de mim, o instituto recebeu pessoas de vários lugares do mundo, todos com projetos incríveis. Nos últimos nove anos, tenho atuado na área de documentação em museus … Read More “Creative Commons e Museu da Imigração: notas sobre uma experiência brasileira”
Last year, Festival delle Resistenze 2016 in Trentino-Alto Adige misused a photo of the journalist Niccolò Rampini that had been uploaded to Wikimedia Commons under a CC-by-SA-4.0 license by a professional photographer named Federico Caranti.
Monk Turner is a concept musician who has benefitted greatly from his collaborative, collective approach to music making and performance.
Gage Skidmore is a photographer and freelance graphic designer living in Phoenix, Arizona whose high-quality photos of politicians and pop culture have been featured in diverse publications…
The original writings of The Diary of Anne Frank should have entered the public domain on January 1, 2016. They should have become freely accessible to everyone who wants to read and experience this important cultural work. Instead, the texts remain clogged in the pipes of EU copyright law. In some countries like Poland, the … Read More “The long arm of copyright: Millions blocked from reading original versions of The Diary of Anne Frank“
How should we attribute authors of CC-licensed 3D designs once that design has been used to print a 3D physical object? The challenge of attribution, or “view source,” for 3D printed objects, is widespread in the 3D printing community, an active part of CC’s larger network. It is multi-layered and speaks to existing needs by … Read More “How should we attribute 3D printed objects?”
