Examples of Sack of Rome in the following topics:
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- Following Constantine's founding of a "New Rome" at the city called Constantinople, the prominence and importance of the city of Rome diminished.
- Indeed, the city of Rome was sacked multiple times by invading armies, including the Ostrogoths and Visigoths, over the next century.
- The multiple sackings of Rome did not help the monuments and arts of Rome to remain unscathed.
- Today when touring Rome, you can easily spot spolia of ancient Roman columns, capitals, and bases used to build and decorate medieval Christian churches.
- Rome once more regained significance just prior to and during the Renaissance, as the papal authority paid great attention to embellishing the city and renowned artists were hired to study, rebuild, and decorate the eternal city of Rome.
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- Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance.
- Mannerism developed in both Florence and Rome.
- Parmigianino (a student of Correggio) and Giulio Romano (Raphael's head assistant) were moving in similarly stylized aesthetic directions in Rome.
- In past analyses, it has been noted that Mannerism arose in the early 16th century alongside a number of other social, scientific, religious and political movements such as the Copernican model, the Sack of Rome, and the Protestant Reformation's increasing challenge to the power of the Catholic Church.
- A number of the earliest Mannerist artists who had been working in Rome during the 1520s fled the city after the Sack of Rome in 1527.
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- The High Renaissance was centered in Rome, and lasted from about 1490 to 1527, with the end of the period marked by the Sack of Rome.
- If Rome was the center for the High Renaissance, its greatest patron was Pope Julius II.
- Raphael was commissioned by Pope Julius II to redecorate the Pope's living space in Rome.
- The School of Athens is one of the frescoes within this room.
- The School of Athens, painted by Raphael between 1509 and 1511, represents the style of High Renaissance painting that was centered in Rome during this period.
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- The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of The Last Supper in Milan, and to end in 1527, with the Sack of Rome by the troops of Charles V.
- Overall, works from the High Renaissance display restrained beauty where all of the parts are subordinate to the cohesive composition of the whole.
- His frescoes rank among the greatest works of Renaissance art.
- Leonardo da Vinci painted two of the most well known works of Renaissance art: The Last Supper and the Mona Lisa.
- The definition of Mannerism, and the phases within it, continues to be the subject of debate among art historians.
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- He then moved the capital from Rome to Constantinople.
- In Rome, the favorite was Maxentius, who seized who seized the title of emperor on 28 October 306.
- Following Constantine's founding of a "New Rome" at Constantinople, the prominence and importance of the city of Rome diminished.
- Indeed, the city of Rome was sacked multiple times by invading armies, including the Ostrogoths and Visigoths, over the next century.
- The multiple sackings of Rome resulted in the raiding of the marble, façades, décor, and columns from monuments and buildings throughout the city.
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- The Romans relied on two sets of these to explain their origins: the first story tells the tale of Romulus and Remus, while the second tells that of Aeneas and the Trojans, who survived the sack of Troy by the Greeks.
- Oddly, both stories relate the founding of Rome and the origins of its people to brutal murders.
- Romulus, whose name is believed to be the namesake of Rome, is credited for its founding.
- What follows is a brief history of the two of the eight main tribes that contributed to the founding of Rome: the Latins and the Sabines.
- Festivals for the Septimontium (literally "of the Seven Hills") on December 11 were previously considered to be related to the foundation of Rome.
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- He famously noted that he "found Rome a city of brick and left it a city of marble."
- It was a cunning political scheme to garner support from the people of Rome.
- The southern panel inside the arch depicts the sacking of Jerusalem.
- Sacking of Jerusalem relief from the Arch of Titus.
- Rome, Italy.
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- Neoclassical Rome was also a time of political change.
- It became an absolute necessity for people of means to spend time in Rome as part of their "Grand Tour," or educational pilgrimage.
- Winners of the "Prix de Rome" (Rome Prize) were awarded a three-, four- or five-year scholarship to study at the prestigious institution.
- Artists studying the classics in Rome would send back to Paris their "envois de Rome;" the results of the inspiration and technique they had acquired in the city.
- Discuss the importance of Rome during the era of the Enlightenment.
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- Rome was a center of Renaissance culture in the second half of the 15th century, and its Pope-Kings were important patrons of the arts.
- In the latter half of the 15th century, the seat of the Italian Renaissance moved from Florence to Rome.
- Sixtus IV is considered the first Pope-King of Rome.
- Rome reached the highest point of splendor under Pope Julius II (1503–1513) and his successors Leo X and Clement VII, both members of the Medici family.
- Pope Julius II was a patron of Michelangelo, Raphael, and Mramante and during this twenty-year period, Rome became the greatest center of art in the world.
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- There were important centres of humanism in Florence, Naples, Rome, Venice, Genoa, Mantua, Ferrara, and Urbino.
- Donatello became renowned as the greatest sculptor of the Early Renaissance, known especially for his classical, and unusually erotic, statue of David, which became one of the icons of the Florentine republic.
- In painting, the treatment of the elements of perspective and light became of particular concern.
- Of the three, Petrarch was dubbed the "Father of Humanism" because of his devotion to Greek and Roman scrolls.
- Following the Crusader sacking of Constantinople and the end of the Byzantine Empire in 1453, the migration of Byzantine Greek scholars and émigrés, who had greater familiarity with ancient languages and works, furthered the revival of Greek and Roman literature and science.