slashing

Examples of slashing in the following topics:

• Bass Notes

  • At the end of the chord name will be a slash followed by a note name, for example C/E.
  • The note following the slash should be the bass note.
  • The note following the slash is the bass note of the chord.

• The Period

  • The figured bass is a simple slashed "6. "
  • The figured bass is a slashed "6" with a "4" and a "3. "
  • The figured bass is a slashed "6" with a "5. " The German sixth is almost always followed by a cadential 6/4 chord.
  • The figured bass is a slashed "6" with a slashed "4" and a "3

• Chromatically Altered Subdominant Chords

  • The figured bass is a simple slashed "6."
  • The figured bass is a slashed "6" with a "4" and a "3."
  • The figured bass is a slashed "6" with a "5."
  • The figured bass is a slashed "6" with a slashed "4" and a "3."

• Applied Chords

  • Applied dominant chords will always make use of slash notation.
  • Underneath the slash notation, we label its harmonic function (T, S, or D).
  • So while we reflect their borrowedness via slash notation in the Roman numerals, it is also important to reflect their role in the broader harmonic context of the phrase by means of non-modulating functional labels.
  • The latter symbol uses a slash to denote "in the key of" and a Roman numeral to denote the tonic of that key relative to the current key.
  • In functional bass, use the functional label before the slash and the Roman numeral after the slash to determine functional dissonances more reliably.

• Bullwhip effect

  • When the falling end-customer demand is finally realized, manufacturers rush to slash production, cancel orders, and discount inventories.

• Pricing During Difficult Economic Times

  • By knowing what value a company delivers to its customers, it can price more confidently and not panic into slashing prices when it does not necessarily need to.
  • Slashing prices on low value goods (while maintaining prices on high value goods) is a potential pricing strategy during difficult economic times.

• Modal Mixture

  • However, it will usually require a chromatic alteration (flat, natural, sharp, or slash).

• External Expansions

  • However, it will require at least one chromatic alteration (flat, natural, sharp, or slash).

• Hybrid Themes

  • The latter symbol uses a slash to denote "in the key of" and a Roman numeral to denote the tonic of that key relative to the current key.
  • Note the functional bass symbols for the chromatically altered chords, the use of slash notation and Roman numerals, and the functional relationship of applied chords and the tonicized chords that follow them.

• Triads and Seventh Chords

  • Finally, if a pitch class other than the chord root is the lowest note in the chord, a slash is added, followed by a capital letter denoting the pitch class in the bass (lowest) voice.
  • The slash identifies E-flat as the bass note.