porcelain

Examples of porcelain in the following topics:

• The Decorative Arts under the Ming Dynasty

  • As with many art forms, the Ming Dynasty saw advancement in the realm of decorative arts such as porcelain and lacquerware.
  • The major production centers for porcelain items in the Ming Dynasty were Jingdezhen in the Jiangxi province and Dehua in the Fujian province.
  • By the 16th century, the Dehua porcelain factories catered to European tastes by creating Chinese export porcelain.
  • A blue and white porcelain vase with cloud and dragon designs, marked with the word "Longevity," Jiajing period of Ming Dynasty
  • One of the 340,000 pieces of ceramics and porcelain held at The Palace Museum of the Forbidden City.

• Joseon Ceramics

  • Celadon, white porcelain, and storage pottery were similar but with slight variations in glazes, incision designs, florality, and weight.
  • The rise of white porcelain occurred as a result of Confucian influence and ideals, resulting in purer, less pretentious forms lacking artifice and complexity.
  • White porcelains were preferred and praised more than any other porcelains during the Joseon period.
  • The rise of white porcelain occurred as a result of Confucian influence and ideals, resulting in purer, less pretentious forms lacking artifice and complexity.
  • This blue and white porcelain jar with pine and bamboo designs was made in 1489 during the early Joseon Dynasty.

• Ceramics under the Song Dynasty

  • The city of Jingdezhen (also Jingde Zhen) has been a central place of production of ceramics since the early Han dynasty; in 1004, Emperor Zhenzong established the city as the main production hub for imperial porcelain.
  • During the Song and following Yuan dynasties, porcelain made in the city and other southern Chinese kiln sites used crushed and refined pottery stones alone.
  • The making of glazed and translucent porcelain and celadon wares with complex use of enamels was highly developed during the Song period, with Longquan celadon wares being particularly popular.
  • Center item: A Northern or Southern Song qingbai-ware bowl with incised lotus decorations, a metal rim, and a transparent blue-toned glaze, from Jingdezhen, 12th or 13th century; Right item: A Southern Song miniature model of a granary with removable top lid and doorway, qingbai porcelain with transparent blue-toned glaze, Jingdezhen, 13th century.
  • The making of glazed and translucent porcelain and celadon wares with complex use of enamels was developed further during the Song period.

• Ceramics

  • Objects made with earthenware can sometimes be as thin as bone china and other porcelains, but they are not translucent and are more easily chipped.
  • Another widely used ceramic material is porcelain.
  • Kaolin is the primary material from which porcelain is made, even though clay minerals might account for only a small proportion of the whole.
  • Clays used for porcelain are generally of lower plasticity and are shorter than many other pottery clays.

• Islamic Ceramics

  • Lusterware is a type of pottery or porcelain having an iridescent metallic glaze.
  • These were still in earthenware, since porcelain was not made in Islamic countries until modern times.

• Rococo in Painting and Sculpture

  • Generally, Rococo sculpture makes use of very delicate porcelain instead of marble or another heavy medium.
  • Falconet was the director of a famous porcelain factory at Sevres.

• Painting and Sculpture

  • In general, this style was best expressed through delicate porcelain sculpture rather than imposing marble statues.

• Still Life Painting

• Modeling

  • After the modeling process has taken place, these clays are baked at very high temperatures in a process known as 'firing' to create ceramics such as terra cotta, earthenware, stoneware and porcelain.

• Chinese Influences in Vietnamese Art

  • The Nguyễn Dynasty, the last ruling dynasty of Vietnam, witnessed a renewed interest in ceramics and porcelain, which became famous and were imported to imperial courts across Asia.