Auguste Rodin

(noun)

Auguste Rodin was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art.

Examples of Auguste Rodin in the following topics:

  • Modern Sculpture

    • Modern sculpture is widely considered to have begun in the 1800s with the work of the French artist Auguste Rodin (1840-1917), who is seen as the forefather of the movement.
    • Rodin is credited with ushering in a new approach and subject matter to the creation of sculpture.
    • At this exhibition, Rodin showed his works Burghers of Calais, Balzac, and debuted his Gates of Hell.
    • Many of Rodin's most well-known sculptures started as designs for this piece.
    • The Thinker is a bronze sculpture on marble pedestal by Auguste Rodin, whose first cast, of 1902.

  • Impressionist Sculpture

    • Modern sculpture is generally considered to have begun with the work of French sculptor Auguste Rodin.
    • Modern sculpture is generally considered to have begun with the work of French sculptor Auguste Rodin.
    • Specifically, Rodin modeled complex, turbulent, deeply pocketed surfaces into clay.
    • Rodin saw suffering and conflict as hallmarks of modern art.
    • Rodin's experiments with form, visible in the Thinker, launched modern abstract sculpture.

  • Abstract Sculpture

    • Auguste Rodin, along with artists like Edgar Degas and Paul Gauguin, developed a radical new approach to the creation of sculpture in the nineteenth century.
    • Rodin was a naturalist, less concerned with monumental expression than with character and emotion.
    • The modern sculpture movement essentially began during the Rodin exhibit at the Universal Exhibition in Paris in 1900.
    • At this event, Rodin showed his Burghers of Calais, Balza and Victor Hugo statues, along with the Thinker .
    • Rodin's experiments with form, visible in the Thinker, launched modern abstract sculpture.

  • Sculpture

    • In revolt against the naturalism of Rodin and his late-19th-century contemporaries, Brâncuşi distilled subjects down to their essences as illustrated by the elegantly refined forms of his Bird in Space series (1924).

  • The Eruption of Mount Vesuvius

    • Vesuvius, which famously erupted in August 79 CE, burying and preserving the cities of Herculaneum, Pompeii, along with the region's villas and farms.
    • When Vesuvius erupted on August 25, a cloud of ash spewed south, burying the cities of Pompeii, Nuceria, and the sumptuous villas at Stabiae.

  • Der Blaue Reiter

    • The group was founded by a number of Russian emigrants, including Wassily Kandinsky, Alexej von Jawlensky, Marianne von Werefkin, and native German artists, such as Franz Marc, August Macke and Gabriele Münter .
    • Franz Marc and August Macke were killed in combat.

  • Figure

    • Auguste Renoir was a French artist who was a leading painter in the development of the impressionist style.
    • Pierre-Auguste Renoir was a leading painter in the development of the Impressionist style.

  • Japanese Art in the Showa Period

    • Yasui Sōtarō was strongly influenced by the the realistic styles of the French artists Jean-François Millet, Pierre-Auguste Renoir, and Paul Cézanne; he incorporated clear outlines and vibrant colors in his portraits and landscapes, combining western realism with the softer touches of traditional Nihonga techniques.
    • Yasui Sōtarō was strongly influenced by the the realistic styles of the French artists Jean-François Millet, Pierre-Auguste Renoir and, in particular, Paul Cézanne.

  • Neoclassical Paintings

    • Jean-Auguste-Dominique Ingres, a Neoclassical painter of history and portraiture, was one of David's students.

  • Painting

    • David's many students included Jean Auguste Dominique Ingres, who saw himself as a classicist throughout his long career, despite a mature style that had an equivocal relationship with the main current of Neoclassicism..