Examples of American Impressionism in the following topics:
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- The Ashcan School was a movement within American Realism known for portraying scenes of daily life in New York's poorer neighborhoods.
- American Realism was a concept that arose in the late 19th and early 20th centuries in art, music, and literature.
- American Realism attempted to portray the exhaustion and cultural exuberance of the American landscape and the life of ordinary people at home.
- The Ashcan School, also known as "The Eight," was central to the new American Modernism in the visual arts.
- The artists of the Ashcan School rebelled against American Impressionism, which was the vanguard of American art at the time.
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- The Armory Show of 1913 displayed the work of European avant-garde artists alongside their American counterparts.
- The Armory Show was the first exhibition organized by the Association of American Painters and Sculptors.
- Impressionism, Fauvism, and Cubism were among the European avant-garde schools represented.
- The Armory Show introduced New Yorkers accustomed to the naturalistic art of American Realism to the styles of the European avant-gardes.
- Discuss the influence of the Armory Show in introducing the artistic styles of impressionism, fauvism, and cubism to the American public.
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- Impressionism is a 19th century movement known for its paintings that aimed to depict the transience of light, and to capture scenes of modern life and the natural world in their ever-shifting conditions.
- Impressionism is a nineteenth century art movement that was originated by a group of Paris-based artists, including Berthe Morisot, Claude Monet, August Renoir, Edgar Degas, Camille Pissarro, and Alfred Sisley, as well as the American artist Mary Cassatt.
- Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, soleil levant ("Impression, Sunrise"), he gave the artists the name by which they became known.
- The development of Impressionism can be considered partly as a reaction by artists to the challenge presented by photography, which seemed to devalue the artist's skill in reproducing reality.
- Camille Pissarro was a stylistic forerunner of Impressionism known for his landscapes and for capturing the daily reality of village life.
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- Post-Impression refers to a genre that rejected the naturalism of Impressionism in favor of using color and form in more expressive manners.
- Post-Impression refers to a genre of painting that rejected the naturalism of Impressionism, in favor of using color and form in more expressive manners.
- Post-Impressionists extended Impressionism while rejecting its limitations.
- Post-Impressionism developed from Impressionism.
- These artists were slightly younger than the Impressionists, and their work contemporaneously became known as Post-Impressionism.
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- Fauvism is the style of "les Fauves" (French for "the wild beasts"), a loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism.
- Abstract Expressionism is an American post–World War II movement in American painting, developed in New York in the 1940s.
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- For example, Roy Lichtenstein—a painter associated with the American Pop art movement of the 1960s—was not a pointillist, despite his use of dots.
- Pointillism, a technique in late Impressionism (1880s) developed especially by the artist Georges Seurat, employs dots to create variation in color and depth in an attempt to approximate the way people really see color.
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- Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille among others, practiced plein air painting and developed what would later be called Impressionism, an extremely influential movement.
- American painters in this movement created works of mammoth scale in an attempt to capture the epic size and scope of the landscapes that inspired them.
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- New art forms, including a kind of impressionism specific to North Korea, rose to complement posters.
- Nam June Paik (July 20, 1932–January 29, 2006) was a Korean American artist who worked with a variety of media.
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- Édouard Manet, a French painter, was a pivotal figure in the transition from Realism to Impressionism.
- One of the first nineteenth-century artists to approach modern and postmodern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism.
- His early masterworks, The Luncheon on the Grass (Le déjeuner sur l'herbe) and Olympia, engendered great controversy and served as rallying points for the young painters who would create Impressionism.
- Express why Édouard Manet is considered a pivotal figure in the transition from Realism to Impressionism
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- By the late 19th century, additional movements which were to be influential in modern art had begun to emerge: post-Impressionism as well as Symbolism.